An accurate depiction of your first listen of My Bloody Valentine.
Telefon Tel Aviv - Bubble And Spike
If I make music like this at some point in my life, it’ll all be worth it.
(Source: telefontelaviv.com)
YES.
Zoo Station (U2 Cover) - Nine Inch Nails
Produced by Trent Reznor and Atticus Ross
Programming by Atticus Ross
(Source: nin.com, via fuckyeahatticusross)
Video: Recording the New Blood version of Peter Gabriel’s Red Rain.
Interview: Peter Gabriel’s monster engineer, Dickie Chappell.
That sounds like a prank call name.
(Source: petergabriel.com)
Moog Animoog iPad Synth
I WANT AN IPAD NOW.
Why the EQ III? It doesn’t have “mojo”, it’s “just another digital EQ”, and won’t give my recordings “that vibe”.
First of all, fuck those terms. They’ve been so overused in the internet age that they’ve lost all meaning (especially when we’re talking plugins). Second, sometimes you just want to cut or boost without bells and whistles. Sometimes color can come from the recording and not the low pass filter… Imagine that.
"Via ProTooler Blog.
M83 - Midnight City
I usually don’t listen to new music until the hype dies down, but this album is awesome.
(Source: ilovem83.com)
Peter Gabriel - Mercy Street (New Blood Version)
Ah.
It’s possible to hear (and see) the the stylus jumping a little bit – that’s not good for the needle. However these bumps create a new beat over the unmatching beats of the two samples, and that helps to define a new rhythm. I thought about selecting specific samples and make them match perfectly but that would work only for one rotation, so it might be good for scratching but not for listening continuously – it’s quite difficult to find records that the beat corresponds with a revolution.
It’s been an interesting experiment with a really fun process. I knew it would be, having vinyls, music and lasers involved :)
(Source: blog.ishback.com)